All instruments used in this recording are Australian-made, including recorders by Frederick Morgan, a harpsichord by William Bright, and a bass viola da gamba by Ian Watchorn.
Composition History
John Walsh, a publisher, released a transcription of Handel's "The Musick for the Royal Fireworks" and other works, which confirms the fashion of reproducing popular pieces for the public.
Historical Context
The 18th-century book trade significantly increased the availability of music to amateur musicians, who were highly educated and skilled individuals for whom music-making was a vital part of life.
Performer Biography
Ruth Wilkinson, a recorder, viol, and violone player, studied early music at the Schola Cantorum Basiliensis in Switzerland with Hans-Martin Linde and Jordi Savall.
Interpretation
The ensemble on this recording uses a 'Bach' tuning system, researched by harpsichordist John O'Donnell, which allows each key its own character and suits the fretted viola da gamba.
Composer Biography
George Frideric Handel, a German-born composer, was very popular in England for his Italian Operas and later for his oratorios, enjoying both fame and fortune.
Compositional Technique
Handel often borrowed from his own operatic works, for example, a bass line in Sonata No. 4 is similar to an aria from his cantata "Filliadorata" and "Agrippina."
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