The source of Lully's Chaconne d'Amadis and Lebègue's Les Cloches is Le Manuscrit Caumont Clavecin, a recently discovered manuscript with 151 unique pieces, mostly transcriptions of Lully's orchestral works.
Compositional Technique
In the 17th century, musicians often copied their own collections of favorite pieces, grouping them by key and dance form, rather than by composer.
Historical Context
The influence of Italian taste and style was significant at Versailles, partly due to Cardinal Mazarin, the chief minister, who brought Italian opera, paintings, and sculpture to Paris.
Composer's Artistic Vision
Jacques Champion de Chambonnières, a pivotal composer on this album, was inspired by the expressive, arpeggiated textures of French lute players.
Recording & Production
This album was recorded using 24-bit / 96 kHz technology, which offers a dynamic range up to 48 dB greater and 256 times the resolution of standard 16-bit recordings.
Historical Context
The music on this recording reflects the era of creative abundance during the reign of Louis XIV, whose court provided patronage for many composers and artists.
Compositional Technique
The 'Prélude non-mesuré' in Jean Henry d'Anglebert's Suite draws on the practice of lutenists who improvised around their tuning, creating an opening 'gesture' for the pieces that followed.
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