The Hanover Band performs on period instruments at a pitch of A = 430Hz, and the conductor, Roy Goodman, directs from a fortepiano for these symphonies, believing Haydn either played or expected a keyboard continuo.
Interpretation
Roy Goodman, the director, reassessed the tempo of Andante and Minuet movements based on markings by Hummel and Czerny, as these movements are often performed too slowly today.
Historical Context
Haydn's return to London in 1793 was delayed due to a painful nose operation and the deteriorating political situation in Europe, including the French Revolution and the start of a war that would last until 1815.
Critical Reception
The London press consistently gave adulatory reviews to Haydn's new symphonies, praising his 'inexhaustible, wonderful, sublime' genius and often encoring movements.
Notable Performances
During the premiere of Symphony No. 102 in 1795, a chandelier fell from the ceiling, miraculously hurting no one, an event that became mistakenly associated with Symphony No. 96, known as 'The Miracle'.
Composer Biography
Joseph Haydn's first visit to London in 1791–1792 was so successful that attempts were made to entice him back from Austria for the following season.
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Haydn: Symphonies No. 92 & 94
Haydn: Symphony No. 97 & 102
Haydn: Complete Symphonies, Vol. 10
Haydn: Complete Symphonies, Vol. 1
Haydn: Symphony No. 88 & Symphony No. 101
Haydn, J.: Symphonies, Vol. 34 (Nos. 62, 107, 108 / La Vera Costanza: Overture / Lo Speziale: Overture)
