
John Williams Flute Concerto – Bernard Herrmann Souvenirs de Voyage
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1/7Compositional Technique
John Williams's Flute Concerto uses unique techniques like quarter-tone glissandos, 'Bartók' pizzicato, and instructing strings to tap their instruments or play pizzicato with fingernails.
Critical Reception
Hugo Friedhofer, despite his prolific output and an Oscar-winning score, never achieved public recognition, with a New York Times editor reportedly never having heard of him upon his death.
Historical Context
In decades past, it was difficult for composers known for cinematic output, like John Williams and Bernard Herrmann, to gain respect in concert music.
Composer Biography
Bernard Herrmann, an ardent Anglophile, lived in London for several years and resided there until his death in 1975.
Composer's Artistic Vision
John Williams intended his Flute Concerto to create 'mysterious sounds evoking the snapping of branches as one explores some imaginary mythical forest,' by using the flute as the only wind instrument with an accompaniment of strings, harps, piano, celeste, and percussion.
Composer Biography
John Williams's reputation in 1965 rested on his skills as a jazz musician, film session pianist, and an accomplished arranger and orchestrator, before his global fame from scores like Jaws and Star Wars.
Composition History
Bernard Herrmann's Souvenirs de Voyage, composed in 1967, was his last work not written for stage or screen.























