
Jurowski Conducts Mahler's Symphony No. 8
Gramophone Editor's Choice
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1/6Composer's Artistic Vision
Mahler told Jean Sibelius that a symphony 'must be like the world, it must embrace everything,' a philosophy reflected in his Eighth Symphony.
Recording & Production
This recording was made live at the Southbank Centre's Royal Festival Hall in London.
Compositional Technique
Mahler's Eighth Symphony employs immense forces, including eight vocal soloists, expanded choirs, children's choir, huge orchestra, harmonium, offstage brass, organ, piano, celeste, mandolins, and harps.
Composer's Artistic Vision
Part Two of the symphony sets the closing scene of Goethe's verse drama Faust, Part II, focusing on the concept of the 'Ewig-Weibliche' or 'eternal feminine' as the creative urge.
Compositional Technique
The symphony's 'narrative vitality' and 'dramatic fire' are largely fueled by Mahler's use of a few striking motifs, such as the six-note figure derived from 'Veni, creator spiritus'.
Composition History
Mahler's Eighth Symphony, nicknamed 'Symphony of a Thousand' by his publicist Emil Gutmann, had its world premiere in Munich in September 1910.

























