
La Spagnoletta, Selva di variazioni & diverse composizioni per il cimbalo
3/9/2018, 24 Tracks, 58:48

Cécile Mansuy performs on an Italian harpsichord built by Matthias Griewisch in 2014, which features a short, broken octave and divided sharps for enharmonic equivalences.
The recording was made in the reformed church Oberstrass, Zurich, Switzerland, from September 8-10, 2014.
The album explores the art of improvisation, where popular tunes are elevated to art by skilled performers, forming a large portion of keyboard music from the Renaissance to the 19th century.
The album's graphic design is a collaboration between Arcana and Atelier(s) Alfonso Femia, with the cover art based on structural elements from Femia's architectural projects.
The harpsichord used in this recording allows listeners to experience music in just intonation, thanks to its enharmonic layout.
The harpsichord was a primary instrument for household music-making in the 17th century, an obligatory presence in noble or bourgeois homes.
The album's unifying theme is the dance tune "La Spagnoletta," which connects all the music and musicians across different places and times.