In the 19th century, performing Lieder (German art songs) in public concerts was controversial, as they were thought to belong in private settings like homes or salons.
Historical Context
Before 1830, public performances of Lieder were rare, but the genre gradually gained a place in concerts through programs that mixed various genres and instrumental combinations.
Performer Biography
Sebastian Weigle, the conductor, was named 'Conductor of the Year' in 2003 by Opernwelt magazine for his production of Strauss's 'Die Frau ohne Schatten' at the Frankfurt Opera.
Composer's Artistic Vision
Gustav Mahler, a composer born in 1860, fiercely demanded the use of a larger orchestral apparatus for Lieder, stating, "We moderns need a larger device to express our thoughts, whether great or small."
Composer Biography
Joseph Marx, born in 1882, was once the most-performed living Austrian composer and is considered a 'Late Romantic' figure.
Composition History
Walter Braunfels's Three Chinese Songs, Op. 19, composed in 1914, were intended for soprano and orchestra from the outset and were inspired by Hans Bethge's 'The Chinese Flute'.
Performer Biography
Soprano Juliane Banse made her artistic breakthrough at age 20 as Pamina in a Harry Kupfer production at the Komische Oper Berlin.
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