
Mayr: David in spelunca Engaddi (David in the Cave of Engedi)
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1/6Compositional Technique
The libretto for "David in the Cave of Engedi" exists in both Latin and Italian versions, indicating varying performance circumstances and a 'bilingualism' in its transmission.
Historical Context
These Venetian Ospedali, or 'female conservatories,' operated like banks and faced a major financial crisis in 1777 due to a drop in donations.
Historical Context
The Ospedale dei Mendicanti was one of four Venetian charitable institutions, known as 'female conservatories,' that cultivated a rich musical tradition.
Composition History
Simon Mayr's oratorio, "David in the Cave of Engedi," was the last of four oratorios he wrote for the Ospedale dei Mendicanti, a Venetian charitable institution, at the start of his career in Venice.
Recording & Production
This recording uses a performing edition by Franz Hauk, who based it on Mayr's original autograph of the Latin version for female chorus.
Composer Biography
Simon Mayr, born near Ingolstadt, spent most of his career in Bergamo and was a significant figure in promoting Viennese classicism in Italy before Rossini's emergence.




















