
Monteclair: Trumpet Concertos Nos. 3-6
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1/7Composer Biography
Michel Pignolet de Montéclair, the composer, moved to Paris at age 20 in 1687, a decisive moment in his life and career.
Composer Biography
Montéclair, the composer, became a proficient double bass player and was instrumental in the double bass replacing the six-string violone in the orchestra.
Compositional Technique
Montéclair's Concerts, originally for transverse flute, were designed to be adaptable for other high-ranged instruments like violin, oboe, or recorder, as indicated in the original Parisian edition.
Interpretation
The solo part in this recording is performed on the trumpet, an instrument found to be very suitable, especially in the Cinquième and Sixième Concerts.
Recording & Production
For some passages in the Cinquième and Sixième Concerts, Montéclair explicitly called for additional instruments, and this recording uses three trumpets and a kettledrum.
Composition History
The term "Concert" in Montéclair's works, unlike Italian or German contemporaries, refers to ample collections of varied pieces, often descriptive or dance-based, rather than solo works with a standard three-movement form.
Composer Biography
Montéclair, the composer, was a pupil of Jean-Baptiste Moreau and trained at the choir school of Langres Cathedral.

















