The opera's libretto combines tragic and amorous scenes with comic relief, similar to Shakespearean theatre, and features a wide range of characters including allegories, gods, demigods, and humans.
Performer Biography
The international cast and period instrument ensemble on this recording include established performers and young talents from over ten different countries.
Interpretation
The conductor, Federico Bardazzi, uses specific instruments to accompany main characters, such as the organ for Nerone as a lover and the harpsichord for Poppea's sweet nature.
Recording & Production
This recording is based on the 1642 Venice version of the opera, edited by Clifford Bartlett, and omits Scene 7 of Act 2, which was a later addition.
Composer's Artistic Vision
Monteverdi's "L'incoronazione di Poppea" was the first opera to abandon mythological themes for the human passions of real historical characters.
Composition History
Claudio Monteverdi's "L'incoronazione di Poppea" is his last extraordinary masterpiece composed for the stage.
Interpretation
The interpretation of this recording uses a tonal combination of organ and double-bass for Ottavia, a choice typical of Spanish Counter-Reformation sacred music.
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