Many works inspired by Paganini's violin compositions were 'pot-pourris' or 'occasion pieces,' quickly written using his themes and adapted for various instruments.
Composition History
Ignaz Moscheles, a composer from Prague, published a successful series of 'Gems à la Paganini' in 1831, but a second set led to a legal dispute with Paganini, which was settled for 90 pounds.
Cultural Impact
Paganini's Caprices had a more lasting and decisive influence on piano music and the careers of 19th-century composers than on violinists, as it was difficult to surpass his original writing.
Compositional Technique
Paganini's Caprices for solo violin, Op. 1, published in 1820, were a revolutionary work and a starting point for romantic, 'demoniac' virtuosity.
Performer Biography
Marco Pasini, the pianist on this recording, graduated from the Milan Conservatory and furthered his studies with Lazar Berman and Piero Rattalino, earning a concert performer diploma.
Historical Context
Paganini's international fame began on March 29, 1828, when he performed for the first time in Vienna, initiating a nearly decade-long European tour.
Cultural Impact
The 'Paganini myth' was a product of the Romantic age, fulfilling a collective desire for freedom and subversion of musical conventions, becoming a foundation for Romantic composers.
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