Henry Purcell, the composer, aimed to imitate the most famous Italian masters to bring the seriousness and gravity of Italian music into vogue in England.
Critical Reception
Purcell's sonatas were only moderately successful in his time, with only Sonata IX achieving popularity in the 18th century, republished as 'The Golden Sonata'.
Historical Context
In the late 17th century, English musical tastes were influenced by both French models and the arrival of Italian violin virtuosi in London.
Compositional Technique
A defining characteristic of Purcell's compositional style is the dense contrapuntal interplay, rich polyphony, and inventive melodies, along with bold dissonance treatment.
Recording & Production
The recording uses a pitch of A = 415 Hz and a modified 1/5th-comma meantone temperament.
Compositional Technique
Purcell's sonatas blend French and Italian styles with his English heritage, incorporating harmonic curiosities from the indigenous consort style.
Recording & Production
This album was recorded in February 2011 at St George's Church, Cambridge, UK, with Philip Hobbs as the producer.
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Purcell: Ten Sonatas in Four Parts
Purcell: Trio Sonatas
Purcell: Sonatas A 3 / Sonatas A 4 / Pavans (Complete)
Purcell: Dido and Aeneas, Z. 626: When I Am Laid in Earth (Arr. Trovesi for Chamber Ensemble)
Purcell: Sonatas, Vol. 3
Purcell : Anthems
Purcell: Te Deum & Jubilate; Complete Funeral Sentences
