
Ravel: Symphonic Works
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1/7Interpretation
For this recording, conductor Günther Herbig arranged the musicians in front of a side aisle, rather than the usual position with their backs to the altar, to better utilize the instrumentation and allow the opulent scoring of works like La Valse "room to breathe."
Performer Biography
Günther Herbig, the conductor on this album, was Principal Conductor of the Berlin Symphony Orchestra (BSO) from 1977, having previously served as deputy conductor from 1966 to 1972.
Compositional Technique
Ravel's Boléro, commissioned by dancer Ida Rubinstein, repeats a single melody many times over a constant rhythm, with the intensity built solely through instrumentation rather than thematic development.
Composer's Artistic Vision
Ravel's La Valse, commissioned by Sergei Diaghilev for his Ballets Russes, was envisioned by the composer as a choreographic tone poem, an "apotheosis of dance."
Historical Context
The Berlin Symphony Orchestra (BSO) recorded French repertoire for the first time with this album, despite having performed it in concerts, due to a general shortage of hard currency restricting access to Western music scores.
Recording & Production
The recordings were made in the Christuskirche in Oberschöneweide, a church dedicated in 1908 with excellent acoustics, where the reverberation time was reduced by hanging shrouds over the galleries.
Recording & Production
This recording, made almost four decades ago, was popular on the record market and went through various reissues, so it was never truly "lost."














