DIALOG MIT MOZART integrates rhythmic and melodic elements from various Mozart works into the composer's own musical language, sometimes quoting original passages.
Instruments
The Klais organ in the Liebfrauenmünster in Ingolstadt, built in 1977, has 70 stops and is considered to represent the 'non-everyday' in an increasingly secular world.
Composer's Artistic Vision
The album's central theme, "AD UNUM OMNIA / OMNIA AD UNUM" (All to One / All from One), is inspired by Gottfried Wilhelm Leibniz's philosophical concept of creation.
Composer Biography
Robert M. Helmschrott, the composer, has dedicated years to exploring interfaith themes and incorporating them into his compositions, even participating in worship ceremonies across various religions.
Compositional Technique
The work INFINITUS, a Perpetuum mobile for piano, is designed to be unending, with its infinity only interrupted by the 'decay of the sound supply'.
Performer Biography
Christoph Well, a multi-instrumentalist, was engaged as principal trumpet with the Munich Philharmonic Orchestra in 1978 and co-founded the 'Biermösl Blosn' cabaret group.
Composition History
The piece OMNIA is the third part of Robert M. Helmschrott's 'Sicilian Trilogy', which also includes BUCOLICA and KARTHAGO.
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