
The instrumental pieces on this album are performed by Dom Claude Gay on the great organ of the abbey church of Solesmes.
The 'Entrance song Gaudeamus' was originally composed for the feast of Saint Agatha, a Sicilian martyr.
The tradition of honoring individuals for their heroic faith and love, like Saints Stephen and Cecilia, dates back to the very first martyrs at the beginning of the Christian era.
The Kyrie VII on this album is designed to evoke the soul's journey from distress and prostration to confidence and thanksgiving through its rising melodic lines.
The album's concept is rooted in the Christian idea of 'the divinisation of man,' celebrating the multitude of saints throughout the liturgical year.
The Antiphons of the office of Saint Cecilia are characterized by their finesse, grace, and delicacy, skillfully rendering the nuances of the text.
The album honors Saint Cecilia, the patroness of musicians, by including a significant number of instrumental organ pieces alongside Gregorian chants.