
Scarlatti: Sonatas Transcribed for Violin & Harpsichord
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1/7Interpretation
The interpretation on this album combines early music traditions with modern instruments, reflecting a dialogue and mutual inspiration between different approaches to performance.
Instruments
Lilianna Stawarz, the harpsichordist, plays a 1976 copy of a Blanchet instrument, built in William Dowd's workshop.
Recording & Production
This album was recorded at the Concert Hall of the Chopin University of Music in Warsaw across three dates in 2019 and 2020.
Instruments
Paweł Łosakiewicz, the violinist on this album, plays an 'Antonius & Hieronymus Fr Amati Cremonem Andreae Fil. F 1616' violin, which is on loan from a private collection.
Composer's Artistic Vision
Domenico Scarlatti's 555 sonatas, which he modestly called 'essercizi' (exercises), were dedicated to Infanta Barbara of Portugal, the daughter of King John V, and were intended to improve her finger technique on the harpsichord.
Critical Reception
Scarlatti's sonatas were praised by composers like Beethoven, Brahms, and Mendelssohn, and continue to be programmed by pianists in their recitals.
Historical Context
Domenico Scarlatti, the composer of the sonatas on this album, was born in 1685, the same year as fellow geniuses Johann Sebastian Bach and George Frederick Handel.













