An EMM Labs ADC-8 Mk IV analog-to-digital converter, custom modified by Andreas Koch, was chosen for the transfers into a Sonoma DSD workstation.
Recording & Production
The original Master Tapes for this album were inspected, cleaned, treated with preservatives, and baked in an incubator at 135 degrees.
Recording & Production
The transfers from the Master Tapes were executed on a unique Studer A80 machine called the UltraMaster, designed by John Curl with custom electronics.
Recording & Production
The sonic evaluation of the transfers took place in the 'Wilson Music Room' in Provo, Utah, using high-end equipment including Wilson Audio Alexandria XLF speakers.
Recording & Production
The Master Tapes were stored 'tails-out' by Wilson Audiophile, requiring a library wind to the take-up reel before transfer.
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