Robert Schumann originally intended for the Kinderszenen to be the beginning of the Novelletten, but later decided to publish them as a separate volume.
Composition History
The Kinderszenen and Novelletten were composed during a period of euphoria and despair for Robert Schumann, marked by his complex relationship with Clara Wieck and her father's disapproval of their marriage.
Album & Artwork
This album is part of Florian Uhlig's 15-CD set, which is the first genuine complete recording of Robert Schumann's works for solo piano.
Composer's Artistic Vision
Robert Schumann clarified that Kinderszenen are 'reflections by an adult for adults,' distinguishing them from his Album for the Young, which was written for educational purposes.
Critical Reception
The Kinderszenen were initially met with a problematic review by Ludwig Rellstab, an amateur music critic, who criticized them as unsuitable for children and too difficult.
Composer's Artistic Vision
Both Kinderszenen and Novelletten were fundamentally composed for Clara Wieck, Robert Schumann's fiancée, and were inspired by her.
Compositional Technique
The final Novellette features an augmented quotation from Clara Wieck's Notturno in D Minor, reflecting the artistic partnership between Schumann and his fiancée.
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Schumann, R.: Carnaval / Kinderszenen / 3 Fantasiestucke / 5 Gesange Der Fruhe
