The libretto of The Crucifixion alternates biblical prose narrative with newly composed verse expressing a Christian's response, a procedure directly inspired by Bach's oratorios.
Composer Biography
Sir John Stainer, organist of St Paul's Cathedral and professor of music at Oxford, aimed to provide good music for parish choirs of moderate abilities.
Critical Reception
The Crucifixion was well received and became a popular favourite, despite harsh judgments from some critics and historians.
Composition History
Stainer conceived The Crucifixion in 1887 as music for Passion Week that village choirs could perform, with the libretto by W.J. Sparrow-Simpson, the son of a colleague.
Recording & Production
This recording of The Crucifixion was made in Guildford Cathedral, Surrey, UK, from June 21st to 22nd, 2004.
Compositional Technique
The Crucifixion is a 'Meditation' designed for an Anglican service, using choir and organ, and incorporating congregational hymns, following the structure of Lutheran Passions.
