
Strauss: Metamorphosen & Symphony for Wind Instruments
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1/7Historical Context
Richard Strauss stayed in Germany during World War II and used his position to protect his Jewish daughter-in-law and grandchildren from incarceration.
Compositional Technique
In Metamorphosen, Strauss includes stylistic homages to Wagner's Götterdämmerung and Siegfried Idyll, and hints at the Funeral March from Beethoven's 'Eroica' Symphony.
Performer Biography
The Aldeburgh Strings and Aldeburgh Winds ensembles are products of the Britten-Pears Young Artist Programme, founded by Benjamin Britten and Peter Pears to train emerging professional musicians.
Composer Biography
Richard Strauss humorously referred to himself as a 'first-class second-rate composer' during a rehearsal in London's Royal Albert Hall.
Composer's Artistic Vision
Strauss considered his left hand's rightful place when conducting to be in his waistcoat pocket, only emerging for minor gestures.
Composer Biography
Richard Strauss's father, Franz Joseph, was a principal French horn player at the Bavarian Court Opera and performed in the premieres of four major Wagner operas.
Composition History
Strauss's Metamorphosen for 23 solo strings was composed as an elegy in response to Germany's destruction during World War II, signed 'In Memoriam'.
















