
Tchaikovsky Plus One, Vol. 3
Did you know?
1/7Compositional Technique
The 'dumka' genre, which Tchaikovsky used in his Op. 59, evolved from Ukrainian roots to mean 'pensive melancholy thought' and evokes a kaleidoscope of changing moods.
Composer's Artistic Vision
Prokofiev, a virtuoso pianist, composed for himself and sometimes found his own challenges difficult, while Tchaikovsky primarily reserved his major piano works for the concerto form, intending them for other master pianists.
Recording & Production
This Chandos recording uses 24-bit / 96 kHz technology, which provides a dynamic range up to 48 dB greater and 256 times the resolution of standard 16-bit recordings, aiming for a better sound by capturing higher frequencies.
Performer Biography
Barry Douglas, the pianist on this recording, won the Gold Medal at the 1986 Tchaikovsky International Piano Competition in Moscow.
Cultural Impact
Igor Stravinsky adapted the middle section of Tchaikovsky's 'Polka peu dansante', Op. 51 No. 2, for his 1928 ballet Le Baiser de la fée (The Fairy's Kiss), illustrating a Hans Christian Andersen tale.
Composition History
Tchaikovsky's F minor Romance, Op. 5, is dedicated to Belgian soprano Désirée Artôt, whom he met while writing music for her benefit performance in Auber's Le Domino noir.
Performer Biography
Barry Douglas, an Irish pianist, feels a deep affinity with Russian culture, partly due to the historical link forged by Irish composer John Field, who invented the Nocturne and taught Russian musicians.












