
Tchaikovsky: The Tempest, Francesca da Rimini, The Voyevoda, Overture and Polonaise from "Cherevichki"
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1/7Composition History
The subject for Tchaikovsky's symphonic fantasia The Tempest was suggested to him by Vladimir Stasov, a critical figure in Balakirev's nationalist circle.
Compositional Technique
Tchaikovsky was the first composer to use the newly invented celesta mustel in an orchestra, featuring it in his symphonic ballad The Voyevoda.
Composer's Artistic Vision
Tchaikovsky's 'fantasy' works, like those on this album, represent his musical response to magic and supernatural themes.
Recording & Production
This album was recorded in 24-bit / 96 kHz, a high-resolution format that offers a wider dynamic range and higher resolution than standard 16-bit recordings.
Composition History
The score for The Voyevoda was reconstructed by Tchaikovsky's disciple Alexander Ziloti after the composer had wanted the work destroyed.
Composition History
Tchaikovsky was so displeased with his symphonic ballad The Voyevoda after its 1891 premiere that he wanted it destroyed, calling it 'rubbish'.
Performer Biography
Alpesh Chauhan, the conductor of this album, was awarded an OBE in 2022 for his services to the arts.














