
The Grand Concertos for Mixed Instruments, Vol. 6
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1/7Performer Biography
La Stagione Frankfurt, the baroque orchestra on this recording, was founded in 1988 by Michael Schneider and has recorded around 50 CDs, focusing on Telemann's works and 18th/19th-century symphonies.
Composer Biography
The Concerto in B-flat major (TWV 44:43), one of Telemann's most played instrumental works, may have been composed during his time in Eisenach (1708-1712), where he had access to skilled oboists.
Compositional Technique
The Sinfonia melodica (TWV 50:2) features melodic turns in its opening movement, such as the 'roller' crescendo and 'sighs', which were later associated with the Mannheim School.
Historical Context
Telemann's instrumental music publications, particularly after 1730, achieved widespread distribution across Europe, with Paris being the second-largest subscriber base after Hamburg for his 1733 Musique de table.
Composition History
Telemann's Sinfonia melodica in C major (TWV 50:2) is among his latest surviving compositions, written in 1766 for the name day of Landgrave Ludwig VIII of Hessen-Darmstadt.
Cultural Impact
Georg Friedrich Händel, a contemporary composer, generously borrowed from Telemann's 1733 Musique de table, arranging a theme from the E flat major concerto for two of his own works.
Compositional Technique
Telemann's Concerto in E flat major (TWV 54:Es1) uses the unusual designation 'trombe selvatiche' (forest trumpets) for its solo instruments, though it's unclear if this meant a special instrument or a typical hunting horn.


























