Berlioz's Harold en Italie was commissioned by Paganini, who ultimately refused to perform it because he found it to be the 'antithesis of a concerto' due to its lack of virtuosity.
Historical Context
In France, during Lully's time, the viola was considered a 'sub-species of the violin' by the public, even though polyphonic works often included three viola lines.
Instruments
The viola, despite achieving nobility in the 20th century, experienced difficult times from the Classical period to the end of the 19th century, with its history largely unknown.
Performer Biography
Daniel Weissmann, the violist on this recording, is also the Managing Director of the Orchestre Philharmonique Royal de Liège.
Recording & Production
This album features the premiere recording of Hugh Macdonald's transcription of Berlioz's Harold en Italie for viola and piano.
Interpretation
Hugh Macdonald's viola and piano arrangement of Berlioz's Harold en Italie gives the viola a considerably greater role, even in parts where Berlioz originally left the soloist silent.
Historical Context
The modern viola repertoire began to flourish only after the establishment of specialist viola courses in conservatories, starting in Brussels in 1877 and Paris in 1894.
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