
Victoria: Missa Trahe me post te & Other Sacred Music
Did you know?
1/7Compositional Technique
Victoria's 'Salve regina' is a double-choir setting, making full use of contrasts between high and low voices, and between reduced-voice fugal sections and grand full-choir passages.
Composer's Artistic Vision
Victoria adopted a highly critical attitude to his own compositions, constantly revising successive editions of his works.
Compositional Technique
Victoria's style shares Palestrina's liking for smooth melodic lines and carefully worked double counterpoint, but uses more accidentals and subtle harmonic coloration for passionate intensity.
Composer's Artistic Vision
Victoria's musical output was relatively small compared to other major Renaissance composers like Palestrina and Lassus, and he published no secular music.
Composer Biography
Tomás Luis de Victoria, the greatest composer of Spain's 16th-century 'golden age' of polyphonic music, was born in Avila in 1548 and became a choirboy at Avila Cathedral.
Compositional Technique
The motet 'Trahe me post te' is based on a double canon at unison, with intricate imitations between different voice parts.
Composer Biography
Victoria spent twenty years in Rome, holding important posts including succeeding Palestrina as maestro di cappella at the Roman Seminary in 1571.















