
Voice of the Soul - Flute Music by Jean Daniel Braun
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1/7Interpretation
The musicians on this album use various bass instruments—bassoon, lute, viola da gamba, and cello—to accompany Braun's bass line, creating a varied and colorful sound.
Compositional Technique
The didactic pieces in Braun's final work focus on techniques not typical for the flute, such as suggesting polyphony, arpeggios reminiscent of 'style brisé', and sustaining long breaths, to enhance virtuosity.
Historical Context
During Braun's lifetime, the transverse flute, also known as the 'flûte allemande', was extremely fashionable in France, with many prominent flutists active in Paris and Versailles.
Compositional Technique
Braun's final work, published around 1740, was a didactic collection of pieces intended to train embouchure and finger dexterity on the flute, and could also be played on the bassoon.
Composition History
Almost all of Jean Daniel Braun's 12 works are dedicated to the flute, suggesting he was likely a flutist himself, and possibly an oboist or bassoonist.
Composer Biography
Jean Daniel Braun, whose name suggests German origins, moved to Paris to seek his fortune, working as a 'musicien ordinaire' for the Duke of Epernon by 1728.
Compositional Technique
Braun's sonatas blend Italian and French styles, combining the four-movement structure of the sonata da chiesa with dance movements like 'Corrente' and 'Gavotta' from the sonata da camera or suite.















