
A la gloire de Dieu et du Roi: Splendeurs de la musique sacrée sous Louis XIV
Featuring
Did you know?
1/7Instruments
Four organists shared the task of playing the instrument commissioned by Louis XIV at Versailles, each taking a quarter of the year, with François Couperin and Louis Marchand being among the most famous.
Historical Context
The king's daily office at Versailles included a low mass recited by the priest, while the Musique du Roi performed splendid music in the gallery, typically a grand motet, a petit motet for the Elevation, and the royal anthem Domine salvum fac Regem.
Historical Context
During the reign of Louis XIV (1638-1715), sacred music at the royal court of France took three essential forms: the grand motet, the petit motet, and organ pieces alternating with plainchant.
Cultural Impact
The sacred music of Louis XIV's court, particularly motets by composers like Lully and Charpentier, spread throughout French provinces and influenced German and English composers across Europe.
Cultural Impact
Grands motets from Louis XIV's era remained popular at the Concert Spirituel in Paris from its founding in 1725 until the Revolution, performed alongside newer compositions.
Historical Context
The Royal Chapel at Versailles, designed by Jules Hardouin-Mansart, was completed in 1710 and inaugurated with a magnificent Cliquot-Tribuot organ.
Compositional Technique
The 'pomp' of Versailles, illustrated by Marc-Antoine Charpentier's Te Deum on this recording, involved soloists, a large chorus, and an orchestra with trumpets and timpani.









































