The F major Symphony, now known as Dvořák's Symphony No. 5, unifies its contrasting moods through the recapitulation of the first movement's main theme at the end of the finale.
Composition History
Dvořák's Symphony No. 5 in F major was originally published as his Third Symphony with a high opus number (Op. 76) to make it seem like a new work, despite the composer considering it his Op. 24.
Performer Biography
Karel Šejna was recommended to conduct by Václav Talich, the principal conductor of the Czech Philharmonic at the time, who gradually entrusted him with more difficult tasks.
Historical Context
The premiere of Dvořák's Symphony No. 6 was initially planned for Vienna but was cancelled due to a 'politically motivated veto' by some players, likely due to Bohemia's quest for independence.
Recording & Production
The recordings on this album were made in Prague, with Symphony No. 5 recorded in Dvořák Hall in 1967 and Symphony No. 6 recorded in Smetana Hall in 1951.
Performer Biography
Karel Šejna, the conductor on this album, was a Czech double bassist who became the principal conductor of the Czech Philharmonic Orchestra in 1950.
Critical Reception
Due to its misleading publication order, the public initially regarded Dvořák's F major Symphony as a 'retrograde step' compared to his D major and D minor symphonies.
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