
Beethoven: Piano Sonatas Nos. 8-18 "On search of new paths"
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1/7Album & Artwork
The album's concept suggests that Beethoven's Opus 31 sonatas can be perceived as a 'meta-sonata' if heard together without long intervals, resembling the 'academies' of his time.
Instruments
The album features performances on three Viennese fortepianos from the early 19th century, including instruments by Johann Gottlieb Fichtl (1803), Nanette Streicher (1816), and Michael Rosenberger (1810).
Performer Biography
Tobias Koch, the pianist, is known for his open-minded versatility and curiosity for discovering rare historical instruments and unknown musical gems.
Compositional Technique
Beethoven's piano sonatas, including those on this album, often fundamentally modify Classical sonata form or dispense with it entirely.
Composer's Artistic Vision
Beethoven once stated he was 'dissatisfied with his previous works' and intended to 'embark on a new path', a sentiment reflected in the sonatas on this album.
Interpretation
Tobias Koch, the performer, used Carl Philipp Emanuel Bach's Essay on the True Art of Keyboard Playing as a guide for his interpretations, as Beethoven himself considered it essential.
Recording & Production
This recording was made during a concert series titled 'Beethoven - in search of new paths' at the Bad Krozingen Castle Concert Series.














