Chetham's School of Music Symphonic Brass Ensemble
NFM Choir
Hector Berlioz
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Interpretation
This is believed to be the first recording of Berlioz's Grande Messe des Morts to use French Latin pronunciation, which dramatically changes the vocal color.
Instruments
The recording made an effort to use as many historic instruments as possible, particularly 19th-century brass and percussion, as the difference in sound is most audible in this part of the orchestra.
Interpretation
The choir for this recording comprised only sopranos, tenors, and basses, a common practice in French music of this period, with mezzos singing the soprano line.
Recording & Production
Two acclaimed choirs, the Wrocław Philharmonic Choir (directed by Agnieszka Franków-Żelazny) and the Gabrieli choir, formed a huge chorus of over two hundred voices for this recording.
Recording & Production
The recording features a vast, specially-convened ensemble, including musicians from the Wrocław Philharmonic Orchestra, the Gabrieli Players, guest musicians, young Polish string players, and brass and percussion players from Chetham's School of Music.
Recording & Production
The recording took place in the Gothic church of St Mary Magdalene in Wrocław, a venue known for many legendary performances in the history of Wratislavia Cantans.
Recording & Production
This recording of Berlioz's Grande Messe des Morts is the first in a new series of oratorio recordings celebrating the collaboration between Wratislavia Cantans and its artistic director Paul McCreesh.
