
Corelli: Solos and Concertos Fitted for the Flutes
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1/7Composer Biography
Arcangelo Corelli, a great Italian composer, made a huge impression in England with his 12 sonatas, Op. 5, imported in 1700.
Composition History
Corelli did not write any original music for the recorder, but many arrangements of his string works were made for the instrument.
Composition History
Corelli signed a contract with publisher Estienne Roger in 1712 for his twelve concerti grossi, Op. 6, but died less than nine months later, complicating the deal.
Critical Reception
Roger North, a London lawyer, wrote that Corelli's works were the only music relished in England for a long time, questioning if music could be immortal, Corelli's consorts would be so.
Historical Context
In 18th-century England, "persons of quality" (middle and upper classes) like law student Dudley Ryder and doctor Claver Morris took recorder lessons and played the instrument.
Notable Performances
Upon receiving Corelli's Op. 6 concertos, amateur violinist Henry Needler and other musicians played all twelve concertos through without rising from their seats, according to Sir John Hawkins.
Historical Context
After the Baroque recorder was introduced to England around 1673, it became extremely popular among both amateurs and professionals for over fifty years.

















