The presence of two collections of 'Maurer Gesänge' (Masonic Songs) in Caspar Fürstenau's catalogue confirms his participation in Freemasonry, a movement popular among musicians in the late 18th and early 19th centuries.
Compositional Technique
The two collections of Masonic Songs are structurally identical, each featuring six songs for solo voice, male choir, flute, and guitar, with simple strophic structures.
Compositional Technique
In Caspar Fürstenau's Masonic Songs, the flute provides short introductions and counterpoints the singing, while the guitar offers simple chordal or arpeggiated accompaniment.
Composer Biography
By the age of fifteen, Caspar Fürstenau was an accomplished transverse flute soloist, supporting his family by playing in a military band.
Composer Biography
After his father's death, bassoonist and composer Anton Romberg took over Caspar Fürstenau's education, teaching him the bassoon.
Composer Biography
Caspar Fürstenau, the composer, began his musical career as an oboe soloist, studying under his oboist father.
Composition History
Caspar Fürstenau's musical output is almost exclusively dedicated to the flute, often associating it with the guitar in chamber works.
You might also enjoy...
Orpheus' Echo - A Carolignian Soundscape
Walther von der Vogelweide
La Grazia Delle Donne
Wolkenstein: "Songs of Myself"
Fleischer: Lieder
Wonderland
1865: Songs of Hope and Home from the American Civil War
Under der Linden
Harbison: Chamber Music
Mùsica en tiempos de Goya
Turtle Dreams
The Anonymous Neapolitan: Song Anthology from the 13th to the 19th Century
