
Hovhaness: Concerto No. 2 for Violin & Strings, Op. 89a & Other Works
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1/7Composer's Artistic Vision
Hovhaness aimed to create music that was "beautiful and healing" and intended "for all people," synthesizing Eastern and Western influences.
Compositional Technique
The term "senza misure," meaning to play without strict measure, is employed by Hovhaness in his Concerto No. 2, a technique brought to prominence by American composer Henry Cowell.
Composer Biography
As an organist at St. James Armenian Church, Hovhaness became deeply familiar with Armenian liturgical music, particularly the minimalist style of composer-priest Komitas Vartabed.
Composer Biography
Hovhaness idolized Jean Sibelius, traveling to Finland to meet the composer in 1935, and Sibelius later became the godfather of Hovhaness's daughter.
Composer Biography
Alan Hovhaness, born in Massachusetts, was of Armenian and Scottish descent, and was drawn to both Eastern and Western cultures.
Compositional Technique
Hovhaness's Concerto No. 2 utilizes distinctive effects like "tone clusters" (dissonant groups of notes) and "melisma" (a Greek word for melody that sets a magical mood).
Performer Biography
Violinist Zina Schiff, a protégée of Jascha Heifetz and an alumna of the Curtis Institute, has performed and recorded on five continents.


















