Monteverdi's 1610 Vespers can be seen as a 'portfolio' of his work, presented in liturgical order, which helped him secure the choirmaster position at San Marco, Venice.
Compositional Technique
Monteverdi's Vespers of 1610 incorporates plainsong within its liturgical items, such as psalms, hymns, and the Magnificat, a technique he boasted about.
Composer's Artistic Vision
Monteverdi's compositional dictum, 'recitar cantando' (speak through singing), allows for expressive freedom and interpretation of the words, similar to an actor reciting Shakespeare.
Interpretation
This recording uses a 17th-century 5th comma meantone temperament, which enhances resonance and ensures pure major chords.
Recording & Production
For two pieces, Lauda Ierusalem and the Magnificat, both high and low pitch versions are included on the recording for listeners to compare.
Composition History
Monteverdi's Vespers of 1610 served as his 'calling card' to secure the prestigious position of Choirmaster at the Basilica of St Mark in Venice.
Performer Biography
The Sixteen, led by founder Harry Christophers, is recognized as one of the world's greatest ensembles, with a special reputation for performing early English polyphony, Renaissance, Baroque, and 20th/21st-century music.
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