
Poulenc: Les biches Suite, Les animaux modèles Suite & Sinfonietta
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1/7Composition History
Poulenc composed Les Animaux modèles during World War II, basing it on La Fontaine's fables, and included a musical act of defiance against the Nazi occupation of France.
Composer Biography
Poulenc was a member of Les Six, a group promoted by Jean Cocteau, and was famously described by critic Claude Rostand as 'half-monk, half-rascal'.
Composition History
Poulenc's ballet Les Biches, which means 'female deer' or 'darlings', has no real plot but explores themes like voyeurism and female sexual power, considered taboo at the time.
Composer's Artistic Vision
Humour is central to much of Poulenc's music, even in his sacred works, where he often sounds as if he is writing with a 'glint in his eye'.
Composer's Artistic Vision
Poulenc acknowledged that he wasn't an innovator of harmonic techniques like Stravinsky, Ravel, or Debussy, but believed there was a place for new music that used 'other people's chords'.
Compositional Technique
Poulenc's Sinfonietta was created by reconstructing a string quartet he had previously discarded, demonstrating his penchant for musical recycling.
Composer Biography
Francis Poulenc, born into a reputable family of industrialists in Paris, first encountered Stravinsky's music at age eleven, which significantly influenced his own works.















