In later years, Schumann aimed to be a popular composer, planning an oratorio that would be "thoroughly folk-like" and understood by "peasants and burghers alike."
Interpretation
Sir Simon Rattle's interpretation combines historically informed performance practices with the sound of a traditional, large orchestra, carefully balancing instrument sections without retouching.
Composer Biography
Robert Schumann's fiancée, Clara Wieck (an acclaimed pianist), encouraged him to compose for orchestra, believing his "imagination and mind are too great for the feeble piano."
Composition History
Schumann composed his First Symphony, the 'Spring' Symphony, in a "frenzy of creativity" in just four days and sleepless nights in January 1841.
Composer Biography
Schumann's creative highs were often followed by depressive lows, as he noted that "the unhappiness of real life cuts into us all the more deeply."
Composer's Artistic Vision
Before composing symphonies, Robert Schumann focused on piano music, but believed that "all that is greatest in music find expression" only in chorus and orchestra.
Composer Biography
Schumann's Second Symphony was composed during a period of ill health, marked by insomnia, dizzy spells, and irrational fears, which he felt listeners would hear in the work.
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