
Saint-Saëns: Mélodies avec orchestre
Featuring
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1/7Recording & Production
This album was recorded in Lugano, Switzerland, from August 8 to 12, 2016, at the Auditorio Stelio Molo RSI.
Composition History
Camille Saint-Saëns began composing and orchestrating mélodies at a very young age; for example, L'Enlèvement was orchestrated when he was only thirteen.
Composer's Artistic Vision
Saint-Saëns aimed to defend a classical conception of verse and prosody, often criticizing contemporary composers for their 'faulty caesuras and enjambments'.
Compositional Technique
Saint-Saëns's 'Ars gallica' involved a significant focus on orchestral color, applying instrumentation work to the mélodie genre.
Historical Context
Camille Saint-Saëns's commitment to the mélodie genre was partly motivated by a desire to promote French music and combat the growing influence of German music and foreign opera in France.
Composer's Artistic Vision
Camille Saint-Saëns believed that songs with orchestral accompaniment were a "social necessity" to combat the dominance of operatic arias in concerts.
Composition History
The nineteen songs on this album span seventy years of Camille Saint-Saëns's compositional life, from L'Enlèvement (1848) to Aimons-nous (1919).















