Schubert composed his first complete mass, the Mass in F-Major D 105, for the 100th anniversary of the church in Lichtental, which he himself conducted.
Composition History
Schubert's early masses were first performed in the parish church of Lichtental, a suburb of Vienna and his birthplace, where he often sang and his brother played the organ.
Composer Biography
Schubert had a close friendship with Therese Grob, who sang soprano solos in his Mass in F-Major, and he had hoped to marry her.
Composer's Artistic Vision
Schubert's last Mass in E-flat Major is described as a document of transcendental visions, showing how he distanced himself from earthly matters and sketched premonitions of other worlds in sound.
Compositional Technique
Schubert's Mass in A flat major is considered one of his most difficult mass compositions, demanding extraordinary skill from the choir.
Composer Biography
In 1826, Franz Schubert applied for the position of vice-director of music at the Viennese court, mentioning he had already composed five masses.
Composer's Artistic Vision
Schubert's sacred music, despite his mixed feelings towards the Catholic Church, often created a personal space for his individual piety and faith.
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Schubert, F.: Mass No. 6 / Tantum Ergo
Schubert: Mass No. 6 in E-Flat Major / Stabat Mater
Bruckner : Te Deum & Verdi : Te Deum
Bruckner: Te Deum; Mass No. 1 in D Minor
Bruckner: Mass No. 2 in E Minor & Te Deum
Gounod: St. Cecilia Mass / Bizet: Te Deum
Donizetti: Messa da Requiem
Schubert: Mass No. 5 in A-Flat Major, D. 678
Schubert: Mass in F Major, D 105; Mass in G Major, D 167
Schubert: Mass in E-Flat Major, D. 950
Berlioz: Messe Solennelle
Gounod: St. Cecilia Mass, CG 56 - Bizet: Te Deum, WD 122 (Live)
