
Shostakovich: Symphony No. 13
Featuring
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1/7Compositional Technique
Shostakovich's Symphony No. 13 is scored for bass soloist, a chorus of basses (40 to 100 voices), and an orchestra with woodwind in threes, four horns, three each of trumpets and trombones, tuba, timpani, percussion, and strings.
Critical Reception
The premiere of Shostakovich's Symphony No. 13 was a success, but Soviet officialdom tried to undermine it by cancelling a televised transmission and demanding textual changes.
Recording & Production
This recording is the final release in Vasily Petrenko's internationally acclaimed symphonic cycle of Shostakovich's works.
Composition History
Shostakovich initially conceived the setting of Yevtushenko's poem 'Babi Yar' as a stand-alone piece, but later expanded it into a symphonic conception by setting three more poems and requesting a new one.
Composer's Artistic Vision
Shostakovich defended his decision to set poems by Yevgeny Yevtushenko, who was viewed with suspicion in cultural circles, believing the poet's veracity of expression outweighed any technical shortcomings.
Performer Biography
Alexander Vinogradov, the bass soloist on this recording, made his debut at the Bolshoy Theatre at age 21 and has worked with many leading conductors.
Composition History
Shostakovich's Symphony No. 13, 'Babi Yar', was galvanized by the publication of Yevgeny Yevtushenko's poem 'Babi Yar', a condemnation of anti-Semitism in Russia.


















