
The Sweetest Songs: Music from the Baldwin Partbooks III
Gramophone Editor's Choice
Featuring
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1/7Recording & Production
This recording was made possible through funding by the John Fell Oxford University Press (OUP) Research Fund and was recorded in the Church of St Michael and All Angels, Oxford.
Composition History
This album is the third and final installment in a series of recordings by Contrapunctus exploring the Baldwin Partbooks, a significant collection of Tudor polyphony.
Compositional Technique
Because the Tenor partbook is missing from the Baldwin Partbooks, some works on this album required reconstruction of the missing Tenor part by Owen Rees or Jason Smart.
Composition History
More than half of the works on this album, including motets by White, William Mundy, and Sheppard, appear to be world premiere recordings.
Performer Biography
Contrapunctus, the vocal consort on this recording, is the Vocal Consort in Residence at the University of Oxford and collaborates on the Tudor Partbooks Project.
Historical Context
The Baldwin Partbooks, a set of manuscript partbooks copied by John Baldwin, a lay clerk at St George's Chapel, Windsor, is the richest single source of Tudor polyphony, preserving almost 170 works.
Historical Context
The 'psalm motet' was a distinctively English phenomenon in the mid-16th century, as psalm texts were acceptable to both Catholics and evangelical reformers during periods of religious upheaval.
























