
Vivaldiana: Venetian Flute Music by Vivaldi & his contemporaries
Featuring
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1/7Instruments
The violoncello used in this recording was made by Étienne Vatelot in Paris in 1981, modeled after a Stradivarius.
Instruments
The baroque bassoon featured in this recording was crafted by Olivier Cottet in 2009, based on a Rottenburgh design.
Composition History
Albinoni's Opus 4 is considered a forgery, similar to Vivaldi's Il pastor fido, as publishers often used unauthorized manuscripts and added other works to create collections under famous names for profit.
Compositional Technique
Vivaldi was ahead of his time in formal structure, using a three-movement slow-fast-fast scheme in half of his Opus 2 sonatas, a design that only became fully established around 1740 in the German galant style.
Instruments
The harpsichord used on this recording was made by Gian Franco Facchini in Ravenna in 1995, modeled after an 18th-century Italian instrument.
Recording & Production
This album was recorded in the Salle Gaveau in Paris, France, from July 15-18, 2011.
Composer's Artistic Vision
Vivaldi's Opus 2, his only printed collection purely dedicated to solo sonatas, shows the influence of the Roman virtuoso Arcangelo Corelli, whose Opus 5 overshadowed much of the sonata production of the time.





















