The Munich court in the 17th and 18th centuries aimed to attract the best musical talents in Europe, including figures like Johann Christoph Pez and Evaristo Felice Dall'Abaco.
Compositional Technique
The term Concerto pastorale, like the one by Johann Christoph Pez on this album, originates from the Christmas music of Italian shepherds (pifferari) playing before Madonna paintings.
Historical Context
Music-making at the Munich court, which began in the early 16th century, became a decisive factor in representing the Bavarian court by the end of the 17th century.
Historical Context
Prince-elector Max Emanuel (1661-1726) frequently overspent to elevate his court's status among European powers, with one festival costing four million gulden.
Performer Biography
The Hofkapelle München, led by baroque violinist Rüdiger Lotter, is committed to historical performance practice and is recognized as a leading European original instrument ensemble.
Album & Artwork
This album aims to provide sophisticated musical accompaniment for Christmas festivities and promote the works of Munich court composers.
Compositional Technique
Heinrich Ignaz Franz Biber's Rosary Sonatas, including one on this album, are unique for assigning a different violin tuning (scordatura) to each of the 15 sonatas.
