John Baldwin, the compiler of this collection, was employed as a singer in St. George's Chapel in Windsor at age 15 and later as a Gentleman of the Chapel Royal from 1594.
Composer's Artistic Vision
The manuscript reflects John Baldwin's personal interest in musical conundrums and teaching material, with many pieces experimenting with complex rhythmic proportions and solmisation syllables.
Composition History
John Baldwin, an English singer, composer, and music copyist, assembled his Commonplace Book between 1586 and 1591, collecting pieces by various composers for future generations.
Instruments
The viols used in this recording are modern reproductions by Robert Foster and John Pringle, crafted after historical instruments from the late 16th and early 17th centuries.
Compositional Technique
Many vocal works in John Baldwin's manuscript are transcribed without text, possibly because they were no longer used as sacred works after the Reformation and could only be performed privately or instrumentally.
Historical Context
The Act of Supremacy in 1534, when Henry VIII renounced obedience to the Pope, led to profound changes in English church music, including the banning of Latin masses and hymns.
Historical Context
William Byrd, a prominent musician, was a 'recusant,' a term for followers of the Catholic faith who were fined annually and forced to practice their religion in secret during Elizabeth I's reign.
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