The Temple of Apollo, a pseudo-secret society, helped James Oswald secure commissions for London theatrical productions and established his reputation in the London cultural scene.
Composition History
In London, James Oswald joined a society called the Temple of Apollo, which musicologist Charles Burney later claimed was a 'pretended society' to promote Oswald's works.
Composer Biography
James Oswald, the composer of this album, had a rags-to-riches story, born in 1710 to a frequently jailed town drummer and later becoming a wealthy musician.
Compositional Technique
James Oswald's 'Airs for the Seasons' consists of ninety-six sonatas for one or two soprano instruments and continuo, showcasing his delight in miniature compositional mastery.
Composer Biography
Before moving to London, James Oswald published early works, including a sonata based on Scots tunes, under Italian pseudonyms like 'Dothel/Dottel Figlio' and 'David Rizzio'.
Composer Biography
James Oswald was appointed chamber composer to King George III in 1761, by which time he had become a wealthy man through his publishing and composing ventures.
Composer's Artistic Vision
The sonatas in 'Airs for the Seasons' combine 'style galant' chamber music with Scottish airs and may be character pieces, with titles like 'Sneez-Wort' and 'Narcissus' hinting at narratives.
