
Ariosti: Stockholm Sonatas for Viola D'Amore, Vol. 2
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1/7Composition History
The survival of 15 of Ariosti's viola d'amore solos is thanks to Johan Helmich Roman, a Swedish music student who copied them in London in the late 1710s.
Compositional Technique
Ariosti's harmonic boldness was admired by his contemporaries, with Rameau quoting a passage from his opera Coriolano as an outstanding example of enharmonic composition.
Interpretation
The performer, Thomas Georgi, assumes Ariosti used the viola d'amore as an alto range instrument and considered his scores as outlines for further embellishment, similar to Corelli's approach.
Composer Biography
Attilio Ariosti, born in Bologna in 1666 and died in London in 1729, was remembered by his contemporaries as a singer, organist, cellist, violinist, and writer of both drama and music.
Composition History
Ariosti's solos for the viola d'amore, totaling 21 pieces, constitute the largest single set of baroque works for the instrument.
Album & Artwork
All of Ariosti's viola d'amore solos are called the 'Stockholm Sonatas' in gratitude to Johan Helmich Roman, who copied them, and the Swedish library that preserved his manuscript.
Instruments
The viola d'amore used in this recording was made by Thomas Eberle in Naples in 1783, featuring 6 gut playing strings and 6 wire sympathetic strings.

















