This recording uses only a harpsichord for the basso continuo, as indicated in I. Walsh's London edition, adapting the foundation line to the keyboard instrument.
Interpretation
The performer, Renato Criscuolo, blended Italian-style diminutions with embellishments from the French gambist repertoire, reflecting the 'Les Goûts réunis' era and London's synthesis of European musical schools.
Composition History
The differing 'opera' numbers for Benedetto Marcello's works across various editions suggest that some publications, particularly by I. Walsh, may have been pirated or unauthorized by the composer.
Composer Biography
Benedetto Marcello, a Venetian nobleman, considered himself an amateur musician, as making music a profession was not typical for his social standing.
Composition History
Benedetto Marcello's Six Cello Sonatas were published in 1732, with editions appearing in London by I. Walsh, a famous publisher, and in the Netherlands.
Interpretation
In this recording, instrumental introductions have been added to the slow movements by both harpsichord and cello, a common practice during the historical period.
Critical Reception
Benedetto Marcello's Cello Sonatas have historically been overshadowed by the more famous cello sonatas of his contemporary, Antonio Vivaldi, and often relegated to teaching material for early cello students in Italy.
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