
Beethoven: String Quintets Op. 29 and 104, Fugue Op. 137
Chamber musicians from the WDR Sinfonieorchester Köln play music that spans Beethoven's compositional career. The two String Quintets op. 29 and 104 date from 1801 and 1817 respectively, the latter a reworking of his early Piano Trio op. 1/3. The Fugue op. 137, also dating from 1817, rounds out the album in virtuosic style.
Did you know?
1/7Composition History
Beethoven's String Quintet in C major, Op. 29, is his only work genuinely conceived for the string quintet instrumentation, composed in 1800/01.
Composition History
Beethoven humorously acknowledged the amateur arranger Joseph Kaufmann in the title of his String Quintet Op. 104, calling it 'transformed from its semblance of 5 voices to a genuinely 5-voiced work'.
Instruments
Ye Wu, a violinist with the WDR Symphony Orchestra Cologne Chamber Players, performs on a Joseph Rocca violin from 1861.
Composer's Artistic Vision
Beethoven believed that writing a fugue required imagination and a 'poetic moment' to animate the old form, rather than just special capacities.
Performer Biography
The WDR Symphony Orchestra Cologne Chamber Players, a string quintet formed in 2016 by musicians from the WDR Symphony Orchestra, received a Diapason d'or for their debut CD.
Composer Biography
Beethoven's string quintets have always been somewhat overshadowed by his string quartets, occupying a special place in his body of work.
Composition History
The String Quintet in C minor, Op. 104, has a curious origin: it is Beethoven's own arrangement of his popular early Piano Trio No. 3 in C minor, Op. 1.














