Malena Ernman, the mezzo-soprano on this recording, is a highly sought-after European singer who has performed a wide variety of roles at major venues across Europe and the USA.
Historical Context
The French 'Cabaret artistique' was distinct from other popular forms like Music Hall or vaudeville, aiming for intellectual stimulation among artists and bohemians.
Composer Biography
Friedrich Holländer, a composer featured on this album, emigrated from Germany in 1933 and became a prolific film music composer in Hollywood, having previously worked with Marlene Dietrich.
Historical Context
The cabaret genre originated with the opening of Le Chat Noir in Montmartre, Paris, in 1881, which was frequented by artists like Erik Satie, Maupassant, and Debussy.
Composition History
Benjamin Britten's 'Funeral Blues' was originally composed for the Group Theatre's production of 'The Ascent of F6,' a psychological and anti-imperialistic play by Christopher Isherwood and W.H. Auden.
Historical Context
In Germany during the Weimar Republic, cabaret evolved into 'Kabarett,' characterized by sharper humor and stinging political and social satire, often performed in intimate basement locales.
Composition History
Kurt Weill, though not composing directly for Berlin cabaret, became influential through songs from his operas like 'Die Dreigroschenoper,' 'Mahagonny,' and 'Happy End,' which were adapted for cabaret performances.
You might also enjoy...
The Songs of Norman Peterkin
Christmas Moods
Rorem : 32 Songs
American-Jewish Art Songs
Songs
Copland: 12 Poems of Emily Dickinson and other songs
Nummi: 5 Song Cycles
Long Time Ago
Mayrig: To Armenian Mothers
Porrino: I canti dell'esilio (Songs of Exile)
Dussaut & Covatti: Mélodies
Krenek: Lieder
Stephen Dodgson: The Distances Between, Songs, Vol. 2
