Westhoff: Sonates pour violon et basse continue

Featuring

David Plantier
Les Plaisirs du Parnasse
Johann Paul von Westhoff

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Composition History

Westhoff's Six Suites for solo violin of 1696 were the first of their kind and are considered precursors to Bach's Sonatas and Partitas.

Composer Biography

Westhoff's life was marked by eclectic professional choices and extensive travel, which allowed him to speak and teach several foreign languages.

Compositional Technique

Westhoff's Sonatas for violin and continuo develop an extraordinary musical language, previously unheard, akin to that of Corelli.

Critical Reception

Despite the immense success of violin and continuo sonatas between 1600 and 1750, Westhoff's sonatas are considered 'rare pearls' that deserve rediscovery.

Composer Biography

Johann Paul von Westhoff, born in 1656 in Dresden, was a significant figure in late 17th-century musical life, despite being largely ignored today.

Compositional Technique

Westhoff's sonatas feature descriptive or imitative music, including imitations of the lute and bells (Campane) in Sonatas II and III.

Composer's Artistic Vision

Westhoff's interest in foreign cultures is reflected in his Sonatas for violin and continuo, which combine French refinement, Italian virtuosity, and German gravitas.