
Pachelbel: Un orage d'avril
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1/7Compositional Technique
Pachelbel's Musikalische Ergötzung (Musical Delight) suites for two violins and continuo use 'scordatura' (special tunings for violins), a technique rare by the late 17th century, to free instruments from dance constraints.
Critical Reception
Pachelbel, a 'perfect and rare' organist and prolific composer, would likely be surprised by his posthumous image, much like Ravel regretted his Boléro overshadowing his other works.
Cultural Impact
Pachelbel's Canon is so widely known that it makes him perhaps the most frequently played composer in the world today, overshadowing other famous classical works.
Composer's Artistic Vision
The Musikalische Ergötzung suites by Pachelbel blend French, Italian, and German styles, beginning with a free-form sonata and giving prominence to counterpoint, showcasing his progressive musical thinking.
Composer Biography
Johann Pachelbel, the composer, was baptized in Nuremberg on September 1, 1653, and held several organist positions throughout his career, including at St. Stephen's Cathedral in Vienna.
Interpretation
The performers on this album aimed to present Pachelbel's music not as 'serious' or 'stiff,' but as lively, miniature musical tableaux representing human moods, akin to a modern, humorous film.
Recording & Production
This album was recorded in July 2015 at the Arsenal de Metz, a venue known for its exceptional acoustics, especially for Baroque music.
















